Srikanth pathak Son Bindu madhava pathak. | |
| Veena sahasra bhdhe. Leading Hindustani Vocal artist
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Reproduction of painting child krishna festering for butter while churning curds
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| Bendre and Bhim sen joshi In younger days bhim sen joshi has sung love lyrics, when no woman artist came forward to sing them. |
Jitendra Abhishek at concert
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| Shanta basrukar as a young girl
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Rama krishna buva vaze had the unique honor of singing devotional music for which swami vivekananda provided pakhawadj accompaniment during Vaze buas sojaourn my Mayavati | |
| Indian String instruments
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The Sarod
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| Ustad Bismilla khan who immortalized Shanai a blowing instruments used in Indian temples early in the morning Shanai received the prestigious place in Hindustani classical music due to the endless efforts of Bismillakhan |
The Pakhavaj. The inseparable percussion accompaniment and playing of instruments like Been and Surbahar. | |
| Tala or ghana instruments used in classical and folk instruments, from left, Brahma talam, Manjira, Kharta, Jinka, Chimta, Manjiraa, Ghungroo |
Ram narayan, felicitating Ustad Abdul latif khan At sarangi sammelan, Bhopal, 1993 | |
| A bronze instrument.
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Omkar nath thakur being accompanied by sitar Artist The next is a peculiar Mogul posture of singing and playing. Here Shrikant Pathak son and disciple of Pandit Bindumadhav Pathak is seen with his Rudraveena a unique photograph indeed! Vilayat Hussain Khan of Agra Gharana. | |
| Jitendra Abhishek with Mohan Nadkarni 1929_1998 Born in Mangueshi, Goa in a priestly family, Jitendra was greatly influenced by Bhakti Sangeet in his childhood. After he did his Metric from Bombay, he graduated with Sanskrit as a major subject and joined All India Radio Konkani section. |
Chidanand nagarkar of Bangalore, Hindustani Vocal artist
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| Ustad Abdul vahid khan in his younger days He was Abdul khan's navies, who trained hira bai badode ker and saraswati rane in Hindustani classical music |
Bhimsen Joshi, engrossed in classical recital
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| A classical sequence at the inauguration of music festival Bombay
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Late Visweshwaran at a recital
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| Sharaschadra Arolkar and Pandit shankar A rare photo graph. A rare photograph on the occasion of 60th birthday celebration of Pandit sharaschandra arolkar His guru pandit krishna rao shankar pandit of gawlior Gharana held in Chabil das high school. The event begun with shobha gurtur and ahmadjan tirakhwa played tabala solo for 2 hours at to 84. |
Lost in a Raga Picture of Bhimsen Joshi | |
| Ramakrishna Bua Waze (1871-1945) Vaze Bua was a maestro of Gwalior gharana of Hindustani Classical Music |
Saraswati veena
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| Portrait of Vrinda Mundkur Dilip Kumar Mundkur trained under Feroz Dastur. She has given numerous performances in India and abroad. |
Saraswati veena
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| Maestros Ravishankar (Sitar) and Ali Akbar Khan (Sarod)
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Getting down from the tree, reproduction of shubharay painting
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| Nancy lesh practicing with uday bhaval kar another drupad vocalist, she is playing cello. A western instrument |
Veena is one of the earliest instruments with frits normally played with a glass weight type with one hand strings and plucked ny another. The difference between Sitar and Veena is Sitar is played with a Mizrab(ring) out on the finger unliking Veena
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| Suman kalyanpur
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Yashoda Settling a Quarrel Between Krishna and Balaram Detail of a painting by Shubharay | |
| Saragi, The instrument
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"Raasa leela", Gopis playing rhythm of life, reproduction shubaray's painting
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| Vishnu Digambar Paluskar. Doyen among Hindustani musicians. He gave to Hindustani music to present format |
"Raasa leela", reproduction shubaray's painting
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| Late Nagesh R son Benagal ram rao's . Benagal. Of the famous benagal rama rao. Governor of bank of India 1925-2002 He was a trained Vocalist of Agra gharana and disciple of Later Pandit Rama rao Nayak of Bangalore. He performed from AIR stations of Madras, Bombay, Bangalore, Ahamadabad |
Beautifully ornamented and painted Sitar
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| Ustad Alla Uddin Khan, The versatile Musician
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Tasha. The loud percussion instruments. Played during festivals.
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| Left to right1. Gopichand, Ektara, Toombi, Tuntuna
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The flute
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| "Raasa leela" Krishna pacifying angry Radha, Reproduction of Shubharay's paintings
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The Shahnai
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| Jyoti Hegde of Sirasi, a disciple of Bindu Madha Pathak, Rudra veena Artist
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Percussion instrument used in classical concerts
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| Young artists being trained for Karnatak music kacheri by Parvati kumar in Tala vadya kacheri in Mumbai From left tala, Mrudanga, Manjira, gatha, morching. Tala |
Hari prasad chowrasiya playing on the Kacheri
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